24.01.26
This couldn't be more different to the previous book I read - it's all action and gentle British humour. What it does have in common is the lack of character development and emotional engagement, making it instantly forgettable.
24.01.26
This couldn't be more different to the previous book I read - it's all action and gentle British humour. What it does have in common is the lack of character development and emotional engagement, making it instantly forgettable.
22.01.25
I'd never heard of Rob Rinder before this book but apparently it's a bestseller because he's famous so I'd thought I'd better read it. Well, it was no John Gresham, apart from the casual sexism in all the depictions of women. Stereotyped characters, messy and illogical plot, not really any action, not really any suspects - at least it seems he didn't use a ghostwriter.
Unusual, intriguing, unflinching, atmospheric, carefully plotted... and totally ruined by the (authorial? editorial?) decision for a British narrator, living in London, to use American English. And it wasn't just the extensive US vocabulary - there were references to graduating high school, to teachers 'failing' a student in a subject and to paying health insurance. Why? Again and again, it jarringly brought me out of the story's world. Surely American readers, brought up on Harry Potter, can cope with British English. Or just set it in America - it wouldn't have mattered much to the story. And the author is actually Australian. It made me so angry that I've deducted 20 points from the score it would otherwise have had. That'll teach 'em!