Showing posts with label 53. Show all posts
Showing posts with label 53. Show all posts

The Grapples of Wrath - Alice Bell

53%

17.03.26

I enjoy Alice Bell's idiosyncratic and effervescent style of storytelling so much that I was uncharacteristically willing to pay more than 99p for the ebook. Yet the little asides and esoteric cultural references, and even the relentless Britishness of it all, quickly become confusing and, ultimately, irritating, to the extent that this reads like a parody of her previous books. Another novel that would have benefited from another edit and proofread before publishing.

Blade - Wendy Walker

53%

19.02.26

This ice-skating drama had all the elements of a really good literary thriller but they don't add up to a place on the podium. Some parts were really interesting - the potential for abuse at the heart of competitive sport, in particular - but it needed a stronger edit to avoid a forgettable performance.

The Unknown Ajax - Georgette Heyer

53%

09.01.26

Heyer is a dependable comfort read when I'm under the weather (I've been winged but not by a pistol) and this, as usual, featured vivid characters and gentle humour, but it's also a little dull (despite the smuggling subplot). Much of it hasn't aged well since the 1950s - marrying one's cousin and bullying a queer relation lands rather differently these days.

The Wishing Game - Meg Shaffer

53%

05.01.26

I knew I had to write a review for a book I'd finished yesterday but it took me a good ten seconds to remember what that book was. Which isn't a great sign. I really liked Shaffer's The Lost Story but this, while competently written, was somehow both emotionally detached and overly sentimental. 

The View from the Top - Rachel Lacey

53%

07.09.25

An unexceptional queer romance with rather annoying protagonists who need to get over themselves. Never leaving town and/or taking 40 years to notice your privilege don't gain my empathy. I did like how they were a bit older than typical romantic leads, and that nearly everyone was LGBTQ+. 

Has Anyone Seen Charlotte Salter? - Nicci French

53%

14.07.25

This was a weird mix of genres, starting off as a family drama and abruptly changing to a police procedural halfway through. While the focus on family relationships, and the lasting effects of trauma, was refreshingly unusual for a murder mystery, it was still a lumpy and ultimately unsatisfying read.

The Silent Wife - Andy Maslen

53%

16.05.25

I enjoyed the first in this series but this third book feels much more off the production line. Maslen takes pains to make the main detective realistically ordinary, but that only draws attention to the unrealistically evil villains (and there are several) without bothering to build any emotional engagement. The murderer here was obvious from the start, so it seemed like a lot of faffing went on before they were finally taken down.
 

The Tainted Cup - Robert Jackson Bennett

53%

27.03.25

This has glowing reviews but it was just another muddled fantasy murder mystery. The excessive worldbuilding overshadowed - to the extent of distracting from - the plot, so that when the denouement finally came it wasn't a revelation so much as a reinforcement of what had already been made clear. None of the characters were convincing or interesting and it wasn't particularly well written. Despite all this, it was readable enough and gets a few points for trying to be inclusive.

Kane - Dick Wybrow

 53%

27.05.24

This was good fun. If it had been anywhere near an editor, it might also have been a good book.

Ordinary Monsters - JM Miro

 53%

04.03.24

On the one hand, this was astonishingly well written, each sentence carefully crafted for the perfect balance of poetry and rhythm. That's what most of my points are for. On the other hand, it was astonishingly badly paced - even the action sequences were interminable and ultimately pointless. Clocking up nearly 700 pages, it was so boring and humour-free that I had to force myself to get past the confusing plot, two-dimensional characters, British people speaking like Americans (again!) and clichéd worldbuilding that's been done many times before.

The Last Dance - Mark Billingham

 53%

19.12.23

File under 'quirky police procedural' with another of the traumatised, probably neurodiverse (ADHD?) protagonists that seem popular these days. It was diverting as far as it went, but all extremely unlikely - OK, so it was a work of fiction, but the world- and character-building wasn't strong enough for me to completely suspend my disbelief.

The Toll Gate - Georgette Heyer

 53%

19.08.22

Not the best Heyer, but not terrible - how could it be, with its typically vivid characters and seamless worldbuilding (although the slang was overdone to the point of incomprehension)?

Malibu Rising - Taylor Jenkins Reid

 

53%

02.06.22

I was really looking forward to reading this but it turned out to be a struggle to finish. Why should I care about these rich, entitled people with their everyday problems? As well as the trend to set stories in the past just because people don't have cellphones, there seems to be a whole new genre about the relationship dynamics among four or more adult siblings, as if those of us from smaller families should be envious. Meh.

The Hawthorne Legacy - Jennifer Lynn Barnes

 

53%

24.11.21

Oh, the curse of the sequel. This confused mess wasn't a patch on the first book in the series - sense and logic were forgotten, which is rather ironic for a book about solving puzzles. And the two love interests were so interchangeable that the whole romance angle seemed pointless. I don't think I'll bother with any more - although I might watch the upcoming TV adaptation!

Midnight Blue - Simone van de Vlugt

 

53%

15.05.21

Nice cover (though that's irrelevant on a Kindle) and interesting insight into Dutch history, but a rather tedious story with a stilted translation that did it no favours.

Gaudy Night - Dorothy L Sayers

53%
01.08.20

The interest of this lay in my own experience of an Oxford college, albeit one that seems to have been struck from the record in this story. Otherwise, it was all rather dated, wordy and confusing, and riddled with typos. And, disappointingly for a 'golden age' detective story, there wasn't even a murder!

Death on the Nile - Agatha Christie

53%
20.02.20

Ever since overindulging on Christie as a 14-year-old, I've thought her mysteries to be formulaic and shallow, if moderately entertaining, and it seems I've been quite correct all these years. The most interesting thing about this one is that the murderer has the same name as one of my exes.

Touching the Void - Joe Simpson

53%
31.10.19

The best thing about this book is the title - although the French title (La Mort Suspendue) is even better. Yes, it's a tale of survival against all the odds, but emotionless, repetitive descriptions of experiences and mountains I couldn't visualise meant the hills never came alive for me in the first place.

A Convenient Marriage - Georgette Heyer

53%
04.05.18

More of the same - fine, fun fiction. These modern covers are fabulous.

Arlo Finch in the Valley of Fire - John August

53%
13.03.18

John August has produced one of the best structured podcasts I've heard (and I've heard a lot of podcasts) in 'Launch', about the process of writing and publishing this book. He also has a pleasantly engaging and genuine manner. He's so keen and proactive that he may actually read this (unlikely, I know!) which makes it harder than usual to say that this could have been so much better. More focus on the plot, less unnecessary dialogue, more character development, less nostalgic ropecraft. It was just kind of... vague, more like the first third of a longer novel than the self-contained Book 1 in a trilogy. OK, I'm not the target audience so I'll pass it to my daughter and see what she thinks.