23.10.25
Wry humour, sharp observation and a strong sense of place and time - yes, it's a Clare Chambers novel. I have a few to read and this was engaging and interestingly structured, if not ultimately memorable or profound.
23.10.25
Wry humour, sharp observation and a strong sense of place and time - yes, it's a Clare Chambers novel. I have a few to read and this was engaging and interestingly structured, if not ultimately memorable or profound.
24.06.25
I want to describe this as a Regency romp, but it's set too late to be Regency and is too serious in places to be a romp. But it's a fun read with well-drawn characters, good world-building and no embarrassing attempts at realistic period dialogue. Yes, the identity of the villain quickly becomes obvious but it's an entertaining journey to their unveiling.
13.06.25
Griffiths' depictions of North Norfolk have always been fanciful, so perhaps it's no surprise that she's gone full sci fi with her new time-travel series. It made no sense, the characters were poorly developed and the plot full of unresolved (worm)holes but it was a lot of fun - the culture-clash scenes set in Victorian London were particularly engaging.
06.03.25
Sarah Waters hasn't published a novel for more than 10 years so I was pleased to remember there was one I hadn't read. In her anniversary afterword, she's pretty critical of this, her debut novel, but I think she's too harsh on herself. From the start, the reader is clearly in the hands of a confident and sophisticated storyteller, a late-20th-century Dickens. Yes, it was a bit messy, and the main character is self-serving to the end - and it wasn't quite as good as The Little Stranger, for example - but it's certainly a good read.
02.12.24
The trouble with this novel was the uneasy mix of paying homage to Austen/Gaskell and the 21st-century turns of phrase and sensibilities of the characters. It worked best when it interrogated class assumptions, using a light yet skewering humour, and not always taking the easy way out. But the main character was unlikable (and not in the 'Emma' sense) and many conversations and actions were just unconvincing.
61%
26.12.23Reviews want to categorise this as a romance but that wasn't really what is was about. The main story covered a surprisingly neglected historical moment that centralised books - and women. The details of the hard lives and harder climate of the area were pretty vivid, although the ramping up of the plot towards the end was probably unnecessary.
12.11.23
This was an engaging family saga, and the historical and cultural details gave it an extra layer of interest. It was a shame, then, that most of the characters seemed only to be there as cyphers, and that several elements of the plot were either unconvincing or just didn't make sense. And there was a weird sense of mythical history about events that only took place 50 years ago. So, as usual, more editing might have moved it towards the 'Masterful' promised on the cover but it remains a reasonable read.
Didn't finish
I'd never heard of the Severn Tsunami, but apparently it devastated the area in which I grew up 400 years ago. But that fascinating fact wasn't enough to keep me reading this gritty book - I couldn't cope with the graphic suffering and violence, and I didn't care about the bland protagonist. I also didn't care for the weird narrative jumps from third person to first and back again.48%
09.10.22
Life on a lighthouse was dull and repetitive and a little dreamlike, just like this book. It was too lavishly descriptive for my taste, the characters too cold and similar, the magic realism and metaphorical flights of fancy too heavy handed. More 'hardgoing' than the 'gripping' and 'riveting' asserted on the cover.
48%
20.08.21You'd think I'm the ideal audience for this novel - I've studied, lived and worked in Oxford and work with words now. But the story was so dull, the characters so two-dimensional, the dialogue so unlikely, and the author so keen to show off her conscientious research and ruminations on the nature of words that I just didn't care.
Note: I'm might also start keeping count of books where women become pregnant after having sex once. Spoiler: It's most books with unmarried female protagonists, especially when they're set in the past.
New label: pregnant first time
60%
This was compared to Barbara Pym and Anne Tyler - well, it's a low-key story about women struggling through society but otherwise it was too heavy handed to reach those dizzy heights. Readable enough but from all the smog 'n' smoking (yes, we get it, it was the 50s) to the unnecessarily tragic or possibly open-ended ending (not a spoiler - the preface prefigured the probable death of a character), it just needed a lighter touch.