23.05.25
The Space Between Trees - Katie Williams
23.05.25
Absent - Katie Williams
03.04.25
Like Williams' later book, My Murder, this story of a coming to terms with being dead was both emotionally involving and beautifully written. It was also, unfortunately, quite similar to the (later) TV show, School Spirits - I hope Williams got some credit.
My Murder - Katie Williams
70%
12.09.23The idea of a clone trying to solve their own murder isn't new but I really enjoyed this take on the theme. It's strikingly well written on both a sentence and chapter level, the characters are interesting, the worldbuilding is clever and the issues of identity, parenthood, death and the ethical use of technology are well explored. What spoilt it was the annoying ending that exposed various plot holes and didn't address its own implications. But the first 90% - fantastic!
The Dictionary of Lost Words - Pip Williams
48%
20.08.21You'd think I'm the ideal audience for this novel - I've studied, lived and worked in Oxford and work with words now. But the story was so dull, the characters so two-dimensional, the dialogue so unlikely, and the author so keen to show off her conscientious research and ruminations on the nature of words that I just didn't care.
Note: I'm might also start keeping count of books where women become pregnant after having sex once. Spoiler: It's most books with unmarried female protagonists, especially when they're set in the past.
New label: pregnant first time
Four Letters of Love - Niall Williams
01.08.15
When I was young and romantic, I was a big Niall Williams fan. The photo isn't of my copy but it's battered enough to be. But now I'm older and more cynical, I demand more from my novels than dreamy lyricism and a dash of magic realism. The poetry, however beautiful, isn't enough to sustain the story, and it's ultimately an unsatisfying read.
The Fall of Light - Niall Williams
02.01.03
I'm not a great fan of magic realism. As an expression of cultural identity, it usually seems pretentious and inauthentic. Niall Williams does it better than most, but this story of a family struggling to reunite during the Irish potato famine soon becomes wearisome with its clogged metaphors, endless comparisons and oppositions, and relentless earnestness. Not a bad novel - just not to my taste.





