11.09.25
Subtle and many-layered as this book aimed to be, the stubborn and childish protagonist prevented any emotional connection and therefore it became just a long examination on all the different ways that families and the (Irish) Catholic church can fail you. And, this being lit fic, nothing much happened except random jumps to and from other times when nothing much happened.
29.09.24
I didn't really get the point of this book. It read as if it was semi-autobiographical but that doesn't make the tedious non-dramas of self-indulgent young adults who behave like children any more interesting or deep. The quality of the writing was fine but I was left thinking, so what?
And I've only just realised the also-disappointing All Our Hidden Gifts is by the same author.
12.07.24
Something about this series is really engaging. Is it the effusive and well-placed swearing? Yes. Is it the eccentric British humour? Yes. Is it the surprisingly complex dynamic between the main character and the ghost that haunts her? Yes. Admittedly, this was rougher round the edges than Grave Expectations (and needed another proofread - but thanks to the author for acknowledging our work anyway) but it's basically just uncomplicated fun.
29.06.24
The ideas were interesting but it felt a little underdeveloped and messy without a clear structure or narrative drive. Its attempts to cover some serious themes seemed forced and worthy rather than naturally integrated into the story. All in all, it read like a promising early draft that needed some more editorial intervention.
(And an accidental second Irish book in a row - very different to the previous one.)
When I gasped and rolled my eyes, and shouted a silent 'No!', it wasn't because of bad writing, for once - far from it. The time-hopping and head-hopping structure worked well in slowly revealing the full - and awful - implications of these three brothers' selfishness, even if it was pretty hard to tell their voices apart. I'm not sure the story was totally satisfying in the end but it was certainly well constructed.
02.03.24
Another distraction from the slog of Ordinary Monsters, this was deceptively engaging - it was only afterwards that I realised what a dark story it was. But then it wasn't particularly realistic or subtle - Oliver was such a pantomime villain and most of the other narrators were so 'nice' that their behaviour wasn't very convincing and 'what happened and why' wasn't very satisfying. But it was a good read.
59%
I quite enjoyed this, and its theme of communication (or lack of it), but it could have been... more. Some readers didn't warm to the main character, and it's true she spent most of the book crying, but my problem was more with everyone else - the awful husband and boring love interest, the token autistic brother, the obligatory quirky yet supportive best friend, the played-up Irishness that didn't really ring true. (I can imagine the publisher urging the writer to 'make it more Irish'.) The details about the undertaking of undertaking were interesting - although I presume the dead don't normally chat so much.
30.07.22
I heard Lucy Foley being interviewed recently - she sounded nice. This book, though, was like a low-budget British TV drama that couldn't afford the right cast or production team. If a story's main selling point is not revealing who has been murdered until 90% of the way through, then perhaps it's not a very strong story in the first place.
59%
20.02.21
Well, it was a confidently written reimagining of the relationship between three very interesting (real) people that got me checking their achievements on Wikipedia. The possible influences on the development of 'Dracula' were cleverly handled. It was also on the wrong side of pretentious and went on even after the main story had ended. And on. And on some more.
