Showing posts with label 63. Show all posts
Showing posts with label 63. Show all posts

The Book of Longings - Sue Monk Kidd

63%

26.04.26

This was well researched and compelling with a great two-word hook - Jesus's wife! - but I wondered at the choice of exiling her while he was doing all the messiah stuff. Then I realised that it was really about the first-century female experience and the biblical Easter eggs (ha!) were just for decoration.

Foils and Fury (series) - Lauretta Hignett

63%

13.04.25

Four books comprising:

  • Oops I Ate a Vengeance Demon
  • Dancing with the Vengeance Demon
  • Dating with the Vengeance Demon
  • Dying for My Vengeance Demon

A fun, feisty, feminist fantasy series that I read n about 5 days. A pretty biting political commentary too, marred only by a few jarring typos. 

Listen for the Lie - Amy Tintera

 63%

14.10.24

This was fun, even if I didn't notice any proper twists and it didn't entirely make sense at the end. The interweaving of podcast episodes worked well, as did the rather unpredictable main character. And it was refreshing, if slightly weird, that no police involved themselves in this 'detective' story.

The Husbands - Holly Gramazio

 63%

05.08.24

This was a fun premise, mostly well executed. The observational humour is the real highlight (the author clearly notes down funny real-life encounters) but the concept and implications of having random husbands is examined from every possible angle - and, pleasingly, never explained. It almost makes up for the lack of real plot and character development.

(Why were references to the pandemic needed when this was hardly gritty realism?)

The Seventh Girl - Andy Maslen

 63%

14.07.24

I met Andy a couple of times when he was a highly paid and highly visible copywriter teaching others how to be as rich and famous as him. Then he decided to be even richer and famouser as an author and, of course, his boundless confidence paid off. And, perhaps not surprisingly given his background, it was really rather good - well written, well paced and with reasonably strong characters. It still plodded (ha!) at times as police procedurals do, but it was skilfully executed.

Unravelling Oliver - Liz Nugent

 63%

02.03.24

Another distraction from the slog of Ordinary Monsters, this was deceptively engaging - it was only afterwards that I realised what a dark story it was. But then it wasn't particularly realistic or subtle - Oliver was such a pantomime villain and most of the other narrators were so 'nice' that their behaviour wasn't very convincing and 'what happened and why' wasn't very satisfying. But it was a good read.

What the Hell Did I Just Read - David Wang/Jason Pargin

 63%

14.01.24

The title isn't a question but I'll answer it anyway. It defines itself as cosmic horror, which is partially accurate, but it's also a surreal and madcap supernatural adventure, the protagonists/narrators all so unreliable that it's not clear whether or not the story has been resolved at the end. It's also a deceptively clever, funny and well-structured novel, despite its pretentions of randomness. 

(The protagonist's girlfriend was a manic pixie dream girl, who would never be the protagonist's girlfriend in real life, which was annoying but did fit into the narrative style.)

(My library book has the narrator David Wang as the author on the cover, with a rather concerning note from actual author Jason Pargin at the back explaining that it is entirely fiction and to seek help if you think it isn't.)

Wrong Place, Wrong Time - Gillian McAllister

 63%

11.08.23

Points for cleverness and attention to detail. Time travel mysteries need careful planning and plotting, and this clearly had plenty of that - even if some other aspects were slightly off (who picks up their 18-year-old kids from school?). Also points for only mentioning the pandemic in passing.

Spinning Silver - Naomi Novik

 

63%

22.02.23

This is the eighth book by Novik I've read, and it's exactly what I've come to expect - a prettily written dark fairytale with strong female characters and not enough editing. It started off well - evocative and engaging - but it just went on and on. All the headhopping soon became tedious. We only needed two, maybe three, viewpoints. And surely <spoiler!> the two brave and independent women wouldn't really choose to stay with their awful husbands at the end?

The Last Anniversary - Liane Moriarty

 63%

10.11.22

The first third or so of this was pitch-perfect - a balance of humour and pathos, with quirky characters to carry you through. But then it started to meander a bit, some points of view fell flat, the multiple story lines got slightly wearisome, many of the topics were a little problematic - but to its credit, not all the ends were tied by the last page.

The Watchmaker of Filigree Street - Natasha Pulley

 63%

18.12.21

A delightful story, pleasingly written with nice characters - all of which sounds like a criticism but it's not at all. It does, however, read like a trial run for the more complex and satisfying The Kingdoms. And it's always nice to see the unjustly unfashionable Gilbert & Sullivan featured in a story.

They Both Die at the End - Adam Silvera

 63%

23.09.21

I really didn't want to read this month's book club choice. Why would I, when <title>? Not that such an ending is unusual, but it is unusual for the whole book to be about that ending. And indeed it was brutal - but also intriguing to explore the idea of whether it's about the journey or the (final) destination.

Deacon King Kong - James McBride

 

63%

19.04.21

Confident and very clever, this engaging story can be read on a number of levels. Is it political satire, crime, farce, romance, memoir, allegory or comedy? Well, yes. It's a vivid peek into the lives of those not often remembered these days, though it does lack the emotional depth needed for you to actually care about them.

Arabella - Georgette Heyer

 

63%
15.12.20

This was a lovely example, and slightly more gritty than usual for a Georgette Heyer (i.e. slight references to poverty; it's all comparative).


The Choir - Joanna Trollope

 63%

20.11.20

This was my first J Trollope and actually it was quite good, in a rather dated, middle-class, tropes of little England sort of way. 

Followers - Megan Angelo

63%
27.05.20

A oddly compelling account of shallow people leading shallow lives and then sort of, maybe, regretting it. It's a strange mixture of competent, fluid prose and a creaky, US-centric plot.

The Infinite Blacktop - Sara Gran

63%
04.09.19

This sequel to the equally weird Bohemian Highway manages to be both lyrical and ridiculous, with an extra hit of philosophy (although it's not at all shocking, as promised on the cover). It does make you suspect that this shady, drug-fuelled life is the unglamorous, unspoken context of other private detective novels.

Strange Weather in Tokyo - Hiromi Kawakami

63%
14.05.17

Popular on Netflix at the moment are gentle Japanese dramas focusing on bar and restaurant culture. This fits in very well with that genre - two lonely people gradually become closer as they drink sake and enjoy various dishes together. A little spice is added by protaganist making no excuse for being rather contrary and difficult, and the plot unfolding through a series of slightly disjointed vignettes - the story rings a little truer as a result.

Death of Anton - Alan Melville

63%
01.05.17

A rather delightful lost classic, set during a very specific period of time. Interesting protagonists and some striking turns of phrase make its obscurity rather unjust.

The Leper of St Giles - Ellis Peters

63%
01.12.15

I think I may have a rest from Brother Cadfael for a while, engaging company that he is. The stories are pretty similar and slightly (but only slightly) predictable, so it doesn't pay to overdo the medieval detective work.