Showing posts with label teenagers. Show all posts
Showing posts with label teenagers. Show all posts

Summer of '76 - Isobel Ashdown

50%

28.07.26

It's set in 1976, you know. 1976! Yes, 1976! Can you tell? Can you tell? Are there enough irrelevant pop culture details and political references and endless updates on the heatwave (which actually sounds quite mild compared with 2026's brutal summer) to hint at it being, you'd never guess, 1976? And let's add so much background description that readers might not notice the flimsy, predictable plot.

In Case I Go Missing - RN Swann

56%

30.06.26

A competent smalltown 'kids on bikes' (well, teens in cars) mystery that wasn't particularly distinct from similar YA stories and TV shows.

A Slipping Down Life - Anne Tyler

61%

01.05.26

This Tyler is so early that the distinctive small-town 1960s setting was contemporary. It's stranger and sadder than her later work - and it's not set in Baltimore! - but it's as intriguing and beautifully captured as ever. 

Your Time is Up - Sarah Naughton

51%

28.04.26

Who knew exams could be so exciting? Especially if 1) there are lots of flashbacks and 2) everyone leaves the exam room to generate the plot because exams are not exciting at all. But it was fine, even if the villain was obvious from the start and there was an unprofessional number of typos for a traditionally published book.


If You Could See the Sun - Ann Liang

52% 

11.03.26

This has a great premise and (slightly) unusual setting but it doesn't explore either enough. The tediously self-involved protagonist can turn invisible - so many possibilities! - but most of what she gets up to is skimmed over. Also not interrogated was the love interest letting her take the fall for something he was also involved in. But it's fine, as long as they're together, right?

Blade - Wendy Walker

53%

19.02.26

This ice-skating drama had all the elements of a really good literary thriller but they don't add up to a place on the podium. Some parts were really interesting - the potential for abuse at the heart of competitive sport, in particular - but it needed a stronger edit to avoid a forgettable performance.

The Thrashers - Julie Soto

60%

10.02.26

A fun and thoughtful high-school supernatural thriller that leaned into the ridiculous horror tropes while also tackling the universal desire to belong. It could have been developed a little more - there were parts that needed more (and others that needed less) focus, and the protagonist didn't really have enough conflict, but generally it was engaging and mostly unpredictable.

Mary Jane - Jessica Anya Blau

67%

05.10.25

This was such a lovely story: pleasing turns of phrase, funny in the right places, sweet without being cloying yet secretly quite complex - and surprisingly wholesome, given the sex 'n' drugs 'n' rock 'n' roll at its heart.

The Space Between Trees - Katie Williams

61%

23.05.25

Katie Williams is an inexplicably overlooked author: she sure knows how to string a sentence together. She also knows how to reach into the mysterious, awkward core of teenagers. There's a murder but it's not a murder mystery; this strange, beautiful, ugly story gets out its magnifying glass to examine - and to burn - that difficult age from all angles. 

For an actual murder mystery, see Williams' My Murder, and for more teenage angst, see Absent.

Absent - Katie Williams

68%

03.04.25

Like Williams' later book, My Murder, this story of a coming to terms with being dead was both emotionally involving and beautifully written. It was also, unfortunately, quite similar to the (later) TV show, School Spirits - I hope Williams got some credit.

Sweetness in the Skin - Ishi Robinson

59%

27.02.25

This was sweet in all sorts of ways, including the 'sour' and 'bitter' variety. Set in a a vivid 1990s Jamaica, this was strongly imagined and characterised, although the story was a little oddly paced, which made you less invested in what happened.

Factory Girls - Michelle Gallen

 55%

15.10.23

This won a prize for being funny but I didn't find any jokes amongst the misery of living with death and the threat of death in '90s small-town Northern Ireland. There also wasn't much of a plot. Which was a shame, because the protagonist was exactly the same age as me but I couldn't identify with her at all. The many inaccuracies about the Oxbridge entrance process at that time were also annoying - it was a small thing but noticing the errors ruined the immersion and veracity of what was otherwise a vivid account of a particular culture at a particular time.

The Hawthorne Legacy - Jennifer Lynn Barnes

 

53%

24.11.21

Oh, the curse of the sequel. This confused mess wasn't a patch on the first book in the series - sense and logic were forgotten, which is rather ironic for a book about solving puzzles. And the two love interests were so interchangeable that the whole romance angle seemed pointless. I don't think I'll bother with any more - although I might watch the upcoming TV adaptation!

The Secret Diary of Adrian Mole Aged 13 3/4 - Sue Townsend

 

61%

09.11.21

I last read this about 35 years ago (this is the cover I remember), probably when I was younger than Adrian and didn't understand why his problems were so funny. Perhaps because of its huge influence over (British) comic writing and young adult novels, the humour hasn't dated well, but in many ways teenagers never change.

They Both Die at the End - Adam Silvera

 63%

23.09.21

I really didn't want to read this month's book club choice. Why would I, when <title>? Not that such an ending is unusual, but it is unusual for the whole book to be about that ending. And indeed it was brutal - but also intriguing to explore the idea of whether it's about the journey or the (final) destination.

The Inheritance Games - Jennifer Lynn Barnes

 64%

01.09.21

A teenage girl unexpectedly inherits a fortune and several hot teenage boys. As wish-fulfilment fantasies go, this one was quite fun, even if I'm a little old to find the 'romance' (such as it was) very convincing. Although the end seemed written entirely to get you to read #2 in the trilogy, I probably will, when it comes out.

We Were Liars - E. Lockhart

 

65%

07.07.21

I realised what the story was really about halfway through (spoiler: it was the same pretty obvious twist as in a book I read last year) but I still cried at the end. It's a sophisticated YA novel, portraying the complex self-absorption of teens and, yes, the characters and their circumstances are unsympathetic and the writing style is annoyingly mannered, but that's, y'know, the whole point.

How to Build a Girl - Caitlin Moran

51%
21.07.19

Being the same age as the narrator, a '90s indie-kid and a long-time fan of Caitlin Moran, I'm basically the target audience for this (officially not but clearly very) semi-autobiographical novel. So imagine my disappointment to discover that it isn't actually very good. Goes to show that pithy journalism doesn't automatically translate into witty fiction, emotional connection and three-dimensional characters.

Whistle in the Dark - Emma Healey

52%
26.12.18

I loved Healey's previous book, Elizabeth is Missing, but this - not so much. It seemed very confused, with unconvincing characters and situations, and a 'so what?' resolution.