Showing posts with label psychology. Show all posts
Showing posts with label psychology. Show all posts

Nowhere to Hide - Keri Beevis

 42%

10.07.24

From the Shari Lapena school of telling, not showing, this was a long, often grammatically dodgy synopsis with too many expositional flashbacks and not enough emotional development or psychological realism. I only read it because it was (partly) set in my local area, but it could have been anywhere.

Our Little Cruelties - Liz Nugent

 61%

23.06.24

When I gasped and rolled my eyes, and shouted a silent 'No!', it wasn't because of bad writing, for once - far from it. The time-hopping and head-hopping structure worked well in slowly revealing the full - and awful - implications of these three brothers' selfishness, even if it was pretty hard to tell their voices apart. I'm not sure the story was totally satisfying in the end but it was certainly well constructed.

Unravelling Oliver - Liz Nugent

 63%

02.03.24

Another distraction from the slog of Ordinary Monsters, this was deceptively engaging - it was only afterwards that I realised what a dark story it was. But then it wasn't particularly realistic or subtle - Oliver was such a pantomime villain and most of the other narrators were so 'nice' that their behaviour wasn't very convincing and 'what happened and why' wasn't very satisfying. But it was a good read.

Sorrow and Bliss - Meg Mason

 59%

04.01.24

Towards the end of this book, the protagonist (and simultaneous antagonist) comments on her 'striking unlikeability and attention-seeking punctuation'. Both these things are true, although we are apparently supposed to believe she is an unreliable narrator, safe in the unquestioning love of her family and (second) husband. The structure was circular and meandering, presumably like the narrator's mind, but that didn't bother me as much as the entitled middle-classness of it all.

Sorry I'm Late, I Didn't Want to Come: An Introvert’s Year of Living Dangerously - Jessica Pan

 55%

22.03.23

For some reason, my extrovert friends are horrified when I tell them I'm an introvert, as if it's something bad. The introvert author of this book seems to agree with them and decided to act (sometimes literally act) like an extrovert for a year. I found it quite hard to relate to - even the title seemed odd, as I'd never dream of being late for anything. And I wasn't sure why it involved doing things that many extroverts wouldn't want to do either, such as stand-up comedy and talking about Deep Feelings at inappropriate moments. But it was a readable slice of life, I suppose. 

Family of Liars - E Lockhart

 

54%

17.07.22

Apparently, there's a subgenre called 'rich people dramas' and this is a prime example. I don't mind reading about impossibly entitled people - I mean, isn't imagining other's experiences what novels are for? - but this was just very boring. I was ready to give up when Something Suddenly Happened... and then it went back to being boring. We Were Liars was indulgent and predictable but at least it wasn't dull.

Never Saw Me Coming - Vera Kurian

 

58%

12.05.22

This was fun as a psychopath primer, should The Psychopath Test not be enough. How they interacted - or not quite interacted - with each other was particularly intriguing. But the plot was badly paced and made no sense, with an irrelevant background of political protests that had no bearing on anything, and there were enough typos to break the story world on several occasions.

We Were Liars - E. Lockhart

 

65%

07.07.21

I realised what the story was really about halfway through (spoiler: it was the same pretty obvious twist as in a book I read last year) but I still cried at the end. It's a sophisticated YA novel, portraying the complex self-absorption of teens and, yes, the characters and their circumstances are unsympathetic and the writing style is annoyingly mannered, but that's, y'know, the whole point.

Three Things About Elsie - Joanna Cannon

52%
27.08.20

Three things about this novel:
1. The metaphors. Dear God, the metaphors. It was like a 464-page creative writing exercise.
2. The 'twist'. Oddly, it was both obvious from about halfway through, and also inconsistently handled.
3. The story. Lumpily structured and didn't really make sense.

Rubbernecker - Belinda Bauer

70%
20.05.20

This was an easy yet clever read, both quirky and thought-provoking, funny and dark. And set, in part, at Cardiff Uni, where I spent some time many years ago. I even knew a dental student who dissected heads in the very anatomy lab described in the story. I'll definitely search out more by this author (overlooking the slightly scrappy character-driven narrative structure).

The Binding - Bridget Collins

66%
03.01.20

Although this book is flawed in many ways - overwritten on a sentence level and underwritten on a plot level, with leads that are hard to root for - it nevertheless magically sweeps you into its quasi-historical world and scientifically reveals the many implications of its central conceit. I don't normally get on with magic realism but this is a fine holiday read.

(Unfortunately, I read it on my Kindle so missed out on the beautiful hard copies - but it's good to see that high production values are (sometimes) still maintained.)

Misbehaving: The Making of Behavioral Economics - Richard H Thaler

56%
20.12.19

I know, right? Not my usual genre, and indeed I found large swathes pretty hardgoing. But other parts were really enlightening - not least because economics seems so male-dominated.

Tangerine - Christine Mangan

46%
13.06.19

More of a lemon than a tangerine. If this hadn't been a library book, I'd have flung it across the room. A poorly written, badly edited, highly clichéd unconvincing story masquerading as literary fiction.

Quiet - Susan Cain

61%
29.03.19

Amusingly, an extrovert relative bought me this from my Amazon wishlist, saying they didn't really understand it. I can see why it's a seminal work, and it is readable and interesting. I'm not sure, however, that it will influence how I think and behave - and the odd editorial decision to alternate male and female pronouns for examples, rather than using 'they', was annoying distracting.

Flowers for Algernon - Daniel Keyes

65%
15.01.19

A friend sent me this for Christmas, or I'd never have read it. And I'm glad I did, from an intellectual point of view at least. Despite being nearly 60 years old, it's a strikingly modern look at, well, everything - prejudice, culture, morality, academia, the nature of intelligence, sexual and emotional development, Freudian psychology... the term 'science fiction' seems rather limiting for this classic.

Different Class - Joanne Harris

Didn't finish

I wanted to find out exactly when the misdirection promised on the cover was going to materialise but it was so slow that it almost went backwards and I ran out of patience.

The Original Ginny Moon - Benjamin Ludwig

52%
01.08.18

Stories narrated by autistic teenagers but written by non-autistic adults make me uncomfortable. Yes, writers need to put themselves into other minds but it always comes across as both arrogant and patronising. Although this was quite interesting, it was no exception, though it wasn't just the narrator who was frustratingly annoying.

The Bellwether Revivals - Benjamin Wood

62%
09.07.18

This was on my 'to be read' list for, literally, years. So was it worth the wait? Well, it's very readable, the prose is strikingly lovely at times, and the descriptions are often uniquely evocative. The characters and the plot, however, are vague and ill-defined. Stuff happens; people react; it tails off to a whimper.

The Rest of Us Just Live Here - Patrick Ness

58%
01.07.18

There's no denying that Patrick Ness is among the most accomplished and inventive authors of Young Adult fiction. He's great at developing characters and experimenting with ideas, so the 'off-centre heroism' premise for this was intriguing. But it didn't really work, ending up an uncomfortable mix of sketchy fantasy and teenage angst.

Strangers on a Train - Patricia Highsmith

67%
28.08.17

Impressively well written, if a little unlikely. A true psychological thriller that sounds much more complex and satisfying than the film (which apparently changed vital details and which I've never seen).