02.06.26
I wasn't sure what to make of this character-led slice of life. Time was treated interestingly - the narrator looks back and forth on a surprisingly modern 1950s - and the scenes, especially of publishing, clearly had some basis in an amusing and awkward reality. But the plot, such as it was, seemed bolted on, and the odd and slightly unreliable narrator never seemed to get to the point. I doubt I'll remember it in a couple of months.
43%
26.05.26This was... exuberant, with strong sense of place (Manchester) and time (the 1980s), although the pop culture references were rather shoehorned in. And that was the problem - a better edit would have sorted the awkwardness, poor pacing and repetition. In particular, characters rolled their eyes on almost every page, which must be as tiring for them as it is for the reader.
23.05.26
My verdict on Grisham's novels is either great or guilty of being poor - the best thing about this one is the marketing strapline on the cover. The interesting idea was badly paced and even more badly written, with cardboard characters and details that have horribly (and fascinatingly) dated over the thirty years since it was written.
21.05.26
Like the designs in the story, great idea, poorly executed.
12.05.26
I liked the refreshingly fun, irreverent tone and vivid worldbuilding. I didn't like the inevitable power-imbalanced, male-possessive romance, the narrative inconsistencies or the main couple being the only characters with character, and not particularly likable ones at that. But a refreshingly fun, irreverent tone and vivid worldbuilding counts for a lot.
06.05.26
This was a fun read but so confusing, with its unnecessarily complicated 'explanation' for 'what really happened' and its interchangeable female characters. I wouldn't even say it was twisty - more that its unreliably unreliable narrator revealed unpredictable information as the story progressed.
61%
01.05.26This Tyler is so early that the distinctive small-town 1960s setting was contemporary. It's stranger and sadder than her later work - and it's not set in Baltimore! - but it's as intriguing and beautifully captured as ever.
63%
26.04.26This was well researched and compelling with a great two-word hook - Jesus's wife! - but I wondered at the choice of exiling her while he was doing all the messiah stuff. Then I realised that it was really about the first-century female experience and the biblical Easter eggs (ha!) were just for decoration.
22.04.26
I've finally managed to finish a Joanne Harris book, but it was still underwhelming. She's a poetic writer, in many genres, but, like the works of Neil Gaiman, this fantasy, though vivid, was emotionally unengaging. And the main character was such an idiot that when he seemed to die near the end I really hoped that was it.
18.04.26
Many people say this is the best Heyer novel but it was pretty indistinguishable from the others - spirited heroine, noble hero, comedy supporting characters, unlikely coincidences. That's not necessarily a bad thing.
15.04.26
I didn't hate this but it didn't work for me. The podcast-transcript format can work well but here it seemed like a gimmick instead of the standard third-person narrative it should have been. Factual errors spoilt the immersion (when it is 9am in the UK, it is not, and never has been, 5pm in LA). The '90s setting was not convincing. The romance was hard to take seriously. The 'twist' was obvious from early on but was still never properly explained. All these things, as I say too often, could have been solved with a proper edit.
11.04.26
Promoting this as a fairytale retelling does it a disservice. There are no fairies or romance - it's in fact a dark tale of a flawed woman fighting for survival. But it's well written (if very American in tone and language) and unpredictable enough to keep one reading until midnight.
07.04.26
Hazelwood is a very engaging writer on a sentence level but 'a couple clear up a misunderstanding and then have lots of sex' is not a plot. With no conflict nor any character development, it just wasn't all that interesting.
48%
06.04.26A very silly story that depended too much on coincidences, miscommunications and misunderstandings, with only its Irish setting to lend it some interest.
47%
03.04.26I like TJR's vivid stories from the world of Evelyn, Carrie and Daisy but her contemporary relationship novels (see also this and this) might as well be by a different author. Everyone was just a cipher and, despite each person presenting a different aspect of long-term relationships versus independence, the ending was deeply conservative, with everyone ending up (spoiler) traditionally coupled up.
It also made America seem very foreign, highlighting their strange food (sweet potato at Christmas? Pigs in blankets with pastry at a baby shower?) and traditions and approaches to life.
29.03.26
I'm sure the author thought she was writing deep 'n' meaningful lit fic but really it was a plotless story of a weak, self-involved woman who inexplicably attracted two men before her life accidentally came together without much input from her. Writers on writers on writers is never going to be particularly insightful.
25.03.26
The last book I read by Sally Hepworth I reviewed as 'ridiculous in every way', and this was no different. It was very silly in a way I didn't hate - but it could have been so much better and so much more memorable.
23.03.26
An education in overwrought, badly paced, over-adjectification. Yet another book very loosely based on Carmilla (in the sense of there being some vampires, girls in love and a character called Carmilla) but it didn't seem to make any particular point. Although if I'd drunk a shot of blood every time I read the word 'delicate', I'd be immortal by now.
