17.06.25
The only memorable thing about this middling Heyer was its excellent use of The Tiffany Effect (even if it is a nickname for Theophania).
17.06.25
The only memorable thing about this middling Heyer was its excellent use of The Tiffany Effect (even if it is a nickname for Theophania).
29.06.24
The ideas were interesting but it felt a little underdeveloped and messy without a clear structure or narrative drive. Its attempts to cover some serious themes seemed forced and worthy rather than naturally integrated into the story. All in all, it read like a promising early draft that needed some more editorial intervention.
(And an accidental second Irish book in a row - very different to the previous one.)
55%
15.10.23This won a prize for being funny but I didn't find any jokes amongst the misery of living with death and the threat of death in '90s small-town Northern Ireland. There also wasn't much of a plot. Which was a shame, because the protagonist was exactly the same age as me but I couldn't identify with her at all. The many inaccuracies about the Oxbridge entrance process at that time were also annoying - it was a small thing but noticing the errors ruined the immersion and veracity of what was otherwise a vivid account of a particular culture at a particular time.
18.08.23
I started this a couple of times and didn't get too far but this time I focused on getting through it. I've previously found Cannon's prose too flowery and her plots too heavy handed and this was no exception. And I'm all for unreliable and even unsympathetic narrators but it was very difficult to root for this one. That said, the observational comedy was sharp and the awkward Britishness well captured.55%
22.03.23For some reason, my extrovert friends are horrified when I tell them I'm an introvert, as if it's something bad. The introvert author of this book seems to agree with them and decided to act (sometimes literally act) like an extrovert for a year. I found it quite hard to relate to - even the title seemed odd, as I'd never dream of being late for anything. And I wasn't sure why it involved doing things that many extroverts wouldn't want to do either, such as stand-up comedy and talking about Deep Feelings at inappropriate moments. But it was a readable slice of life, I suppose.
55%
17.11.22
A ghost who can't communicate or interact - what an unusual idea. Well, there's a reason for that. A protagonist with no agency doesn't make for a great story, and so it depended on rather drawn-out flashbacks to her life. There were some other promising ideas here too but overall it was far too slow, over-researched and unnecessarily complicated for them to be fully explored. And at the end it seemed that (spoiler!) there was no link between the two deaths after all. Another draft needed!
I did like it being set in Peterborough, though - an underrated city I'm vaguely familiar with.
55%
02.12.21
I hadn't realised that the clever and incisive humorous poet Brian Bilston is not technically a real person. Whoever he is, he needs to stick to writing clever and incisive poems and forget the novel writing. This homage to Adrian Mole (an equally hapless Brian Bilston aged 45 and three quarters) wasn't particularly successful. But his poems are truly fabulous so he gets marks for those.
55%
31.10.21
This was Booker longlisted but I'm not sure why. It's like a slightly more complex (and rather more Canadian) Anne Tyler novel without as much charm and humour. Why 1972? Why certain characters? Why those particular narrative choices? It's fine but ultimately unmemorable.
55%
21.06.21
Goddard must have read my review of Into the Blue, as this recent 'thriller' replaces the middle-aged white male main character with a middle-aged Japanese female main character. Who was really only differentiated from all the middle-aged white male secondary characters by her clipped way of speaking and no-nonsense manner. Because she's, like, Japanese, you know. But it was much more tedious than you'd expect of a globe-trotting detective adventure.
16.05.20