Showing posts with label work. Show all posts
Showing posts with label work. Show all posts

I Hope This Finds You Well - Natalie Sue

58%
04.08.26

While the narrator was unrelentingly self-pitying and mostly unsympathetic, I was still drawn into her dark little office world. The romance aspect in particular was done well, playing out without overwhelming the rest of the story. I may have shed a tear or two.

People Pleaser - Bryony Gordon

52%

25.06.26

I liked the bold feminism (and having a nice and not entirely useless husband seemed like a subversive move) but the main character was so unlikable and unrelatable both before and after her 'transformation', and the situations so exaggerated, that it didn't please me very much.

(Apparently, I read a book with the same title last year, which I have absolutely no memory of. I doubt I'll remember this one either.) 

A Far Cry From Kensington - Muriel Spark

52% 

02.06.26

I wasn't sure what to make of this character-led slice of life. Time was treated interestingly - the narrator looks back and forth on a surprisingly modern 1950s - and the scenes, especially of publishing, clearly had some basis in an amusing and awkward reality. But the plot, such as it was, seemed bolted on, and the odd and slightly unreliable narrator never seemed to get to the point. I doubt I'll remember it in a couple of months.

There is a Light that Never Goes Out - David M Barnett

 54%

03.12.23

This was quite sweet and earnest and it didn't actively annoy me. It was rather unrealistic, of course, and both main characters acted (or not) on assumptions with no evidence to back them up, with the 'baddie' not actually being convincingly bad, at least until he was ramped up at the end. As I read it on my Kindle, so didn't really see the cover, I thought it was written by a woman right up until the acknowledgements, but that probably says more about my assumptions than the story/writing style itself.

Listening Still - Anne Griffin

 59%

12.04.23

I quite enjoyed this, and its theme of communication (or lack of it), but it could have been... more. Some readers didn't warm to the main character, and it's true she spent most of the book crying, but my problem was more with everyone else - the awful husband and boring love interest, the token autistic brother, the obligatory quirky yet supportive best friend, the played-up Irishness that didn't really ring true. (I can imagine the publisher urging the writer to 'make it more Irish'.) The details about the undertaking of undertaking were interesting - although I presume the dead don't normally chat so much. 

Tomorrow and Tomorrow and Tomorrow - Gabrielle Zevin

 70%

04.02.23

It's been so long since I've read a book that actually lived up to the hype that this was like a long, refreshing drink. The characters weren't particularly likable, the style was a little leaden, something unlikely happened two-thirds through in order to inject some energy into the story... but somehow it all worked. Smart, complex, full of pop culture and high culture references - what relief to read a really good contemporary novel!


You Don't Have to be Evil to Work Here, But it Helps - Tom Holt

55%
11.08.13

My husband tells me that Tom Holt is beloved of teenage boys who have graduated from Terry Pratchett. I've not read much Pratchett either but I imagine it's funnier and more memorable than this, though I do grudgingly admire the ingenuity of the convoluted plot. Looks like I last read a Holt novel 10 years ago and advised myself not to try his fantasy novels. Oh well.

Joy - Jonathan Lee

55%
07.12.12
And the prize for Ironic Title of the Year goes to... "Joy", a bleak story of unpleasant people leading unhappy and pointless lives. Apparently Lee's previous book was very funny but he must have wanted to redress the balance here. Even the lighter moments are weird or tainted in some way. The language, admittedly, is sharp and poetic, and the unfolding of the plot from different viewpoints reveals twists and nuances that could be savoured under different circumstances - but, for me, the characters were never convincing and, well, I just wanted a little more joy.